Perfection



We all remember being in writing class class at some point in school with the teacher explaining in depth the true, underlying, meaning of some story as most of us scratched our heads, strongly suspecting that the teacher was full of shit.
I’m reminded of this as I read a book about a piano player describing how the left and right hands contribute to the story, portraying full ranges of emotion and every other element that makes a story great. There must be high points, recovery time from those highs, humorous parts, chase scenes, and resolution. Similarly with an artist. How the blank space belittles the subject, how the bold reds and subtly painted eye direction let the viewer in on the subjects true intentions. In performances of all kinds. Motion telling a compelling story, balanced in rhythm, contrasting sections to shock the audience, or flowing, breezy lines of motion pulling at the heart strings.
The best teachers always emphasize this adherence to story. Most of us inwardly just grown and put up with it, but sometimes it all seems to make some kind of sense as we advance to the next level of our craft.
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